Annette Hill

Hill, A., Lee, J. (2022). Roamers: Audiences on the Move Across Entertainment Platforms In Southeast Asia Javnost - The Public, 29(1), 98-114. More information

Hermes, J., Hill, A. (2021). Transgression in contemporary media culture International journal of cultural studies, 24(1), 3-14. More information

Hill, A. (2021). Who killed Utopia? Cult conspiracy drama and a television imaginary International journal of cultural studies, 24(1), 56-71. More information

Hill, A. (2021). Documentary imaginary: Production and audience research of The Act of Killing and The Look of Silence European Journal of Cultural Studies, 24(4), 801-815. More information

Mathijs, E., Hill, A. (2021). Fugitive cult receptions of conspiracy thriller Utopia Participations, 18(2), 318-334. More information

Hill, A., Mortensen, M., Hermes, J. (2021). Fear: Introduction to special issue European Journal of Cultural Studies, 24(4), 793-800. More information

Hermes, J., Hill, A. (2020). Television’s undoing of social distancing European Journal of Cultural Studies, 23(4), 655-661. More information

Cruickshank, L., Tsekleves, E., Whitham, R., Hill, A., Kondo, K. (2007). Making interactive TV easier to use: Interface design for a second screen approach The Design Journal, 10(3), 41-53. More information

Hill, A. (2002). Big Brother: The Real Audience Television and New Media, 3(3), 323-340. More information

Hill, A., Palmer, G. (2002). Big Brother Television and New Media, 3(3), 251-254. More information

Hill, A. (2001). Media risks: The social amplification of risk and the media violence debate Journal of Risk Research, 4(3), 209-225. More information

Hill, A. (2000). Fearful and Safe: Audience Response to British Reality Programming Television and New Media, 1(2), 193-213. More information

Hill, A. (2000). The language of complaint Media Culture and Society, 22(2), 233-236. More information

Dahlgren, P., Hill, A. (2023). Media engagement. Abingdon: Routledge More information

Hill, A. (2007). Restyling factual TV: Audiences and news, documentary and reality genres. Abingdon: Routledge More information

Hill, A., Kondo, K. (2022). Entertainment mobilisation: Nordic noir fans and screen tourism. In: Ruxandra Trandafoiu (Ed.), Border Crossings and Mobilities on Screen (pp. 173 -184). More information

Hill, A., Hartmann, M., Andersson, M. (2021). Introduction: Mobile socialities. In: A. Hill, M. Hartmann & M. Andersson (Ed.), The Routledge handbook of mobile socialities (pp. 1 -15). Abingdon: Routledge More information

Hill, A. (2021). Transported immobility. In: A. Hill, M. Hartmann & M. Andersson (Ed.), The Routledge handbook of mobile socialities (pp. 290 -301). Abingdon: Routledge More information

Hill, A. (2021). Media industries and audiences: An analytic dialogue. In: The Routledge Companion to Media Industries (pp. 508 -517). London: Routledge More information

Hill, A. (2019). Engaging with reality television. In: Shawn Shimpach (Ed.), The Routledge Companion to Global Television (pp. 163 -171). New York: Routledge More information

Hill, A. (2013). Ambiguous audiences. In: Brian Winston (Ed.), The documentary film book Basingstoke: Bloomsbury Academic More information

Hill, A. (2005). Reality TV: Performance, Authenticity, and Television Audiences. In: Janet Wasko (Ed.), A companion to television (pp. 449 -467). More information

Hill, A. (2024). Authenticity Index: engaging with fact frictions in documentary andreality television. Media Frictions International Symposium, 2-3 May 2024, Jönköping, Sweden. More information

(2021). The Routledge handbook of mobile socialities. Abingdon: Routledge More information